We and our vendors use cookies and similar methods to recognize visitors and remember their preferences, for analytics, to measure our marketing effectiveness and to target and measure the effectiveness of ads, among other things. To learn more about these methods, view our Cookie Policy and Privacy Policy. By clicking ‘Accept all,’ you consent to the processing of your data by us and our vendors using the above methods. You can always change your preferences by clicking on Manage Privacy Preferences in our website footer or in your app Privacy Settings. Your preferences here are unrelated to Apple’s App Tracking Transparency Framework.
Dance
In Ashton’s ‘Sylvia,’ Ballerinas Get to Be Like Wonder ...
Hunting bows in hand, a new generation of dancers takes on the multifaceted role...
Amie Donald Has the Moves as the Killer Robot in ‘M3gan...
The sunny 15-year-old dancer-turned-actress is about as far as you can get from ...
Review: Ayodele Casel Links Tap to Her Hip-Hop Beginnings
The tap choreographer and dancer returns to the Joyce Theater with “The Remix,” ...
There Are Problems for Sure. But ‘Étoile’ Has Humor and...
Amy Sherman-Palladino’s new series, created with her husband, takes ballet somew...
The Ballet Kids of ‘Midsummer’ Bring Magic to the Bugs
It could be that the youngest dancers are the real stars of “A Midsummer Night’s...
When Robert Rauschenberg Found a Home in Dance
A Trisha Brown company tour recalls a time when Rauschenberg, one of the country...
Herbert Migdoll, Joffrey Ballet Photographer for Half a...
His photos and graphic design for the Chicago-based company cemented its artisti...
Manuel Legris Returns to Paris Opera Ballet to Stage Hi...
Manuel Legris, a former étoile, returns to Paris Opera Ballet to stage his versi...
At New York City Ballet, Casting, Coaching and Dances W...
The spring season of New York City Ballet didn’t seem to warrant much excitement...
‘The Holy Blues’ Review: Finding the Spiritual in the S...
Jawole Willa Jo Zollar’s new work for Alvin Ailey American Dance Theater at Broo...
Misty Copeland Broke a Ballet Barrier and Became a Star
Copeland, the first Black female principal at American Ballet Theater, has annou...
Raw and Untamed, a Paul Taylor Dance Gets a Second Chance
The Taylor company revives “Churchyard,” a forgotten gem from 1969 that shifts f...
After Dancer Complaints, Hamburg Ballet’s Artistic Dire...
Dancers had accused Demis Volpi of creating a “toxic working environment” in his...
In ‘The Life of Chuck,’ Tom Hiddleston Dances Up a Storm
In “The Life of Chuck,” the actor known for spontaneous eruptions of joyful move...
36 Hours in East London: Things to Do and See
Now a hub for the trend-conscious set, East London hasn’t lost its industrial ro...
Misty Copeland Changed Ballet. Now She’s Ready to Move On.
The American Ballet Theater’s first Black female principal dancer on everything ...